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WORKS 1761 – 1780 of 4128 IMAGES ONLY

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Artist: AMOR, Rick | Title: The meeting. | Date: 1995 | Technique: screenprint, printed in purple and yellow ink, from two screens

Artist: McGrath, Raymond. | Title: The Meeting | Date: 1928 | Technique: wood-engraving, printed in black ink, from one block

Artist: Dickerson, Robert. | Title: The meeting | Date: 2000, July | Technique: sugar-lift etching, printed in black ink, from one zinc plate

Artist: HARRALL, G.H. | Title: The Melbourne Exhibition Building. | Date: 1880 | Technique: wood-engraving, printed in black ink, from one block

Artist: GILL, S.T. | Title: The Melbourne Exhibition Building, northwest angle. | Date: 1854 | Technique: lithograph, printed in black ink, from one stone

Artist: Storrier, Tim. | Title: The memory - Camp 7 | Date: 1977 | Technique: softground etching, printed in black ink, from one plate | Copyright: © Tim Storrier

Artist: RICHARDSON, Berris | Title: The Metamorphosis of Mrs Morris III (self portrait) | Date: 1974 | Technique: lithograph, printed in black ink, from one stone [or plate]

Artist: WILLIAMS, Fred | Title: The Metropolitan | Date: 1955 | Technique: etching, aquatint, engraving and flat biting, printed in black ink, from one zinc plate | Copyright: © Fred Williams Estate

Title: The Mewstone, bearing S.E., as seen from the vessel between the rock and the land. | Date: 1831 | Technique: engraving, printed in black ink, from one copper plate

Artist: Trenfield, Wells. | Title: The Milky Way on the Murray River | Date: 1982, June | Technique: lithograph, printed in colour from multiple stones

Artist: LINDSAY, Lionel | Title: The Mill Bridge, Bridgewater, South Australia | Date: 1920 | Technique: etching, printed in warm black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Artist: Garrett, Tom. | Title: (The mill by moonlight) | Date: 1930s | Technique: monotype, printed in colour

Artist: ROSENGRAVE, Harry | Title: The mill stream | Date: 1957 | Technique: linocut, printed in colour, from four blocks

Artist: UNKNOWN | Title: The mill, Braidwood | Date: 1977 | Technique: screenprint, printed in colour, from two stencils

Artist: Dickerson, Robert. | Title: The mime. | Date: 1977 | Technique: etching and aquatint, printed in black ink, from one zinc plate

Artist: Counihan, Noel. | Title: The miner. | Date: 1947 | Technique: linocut, printed in black ink, from one block

Title: The miner's dream of home | Date: c.1900 | Technique: lithograph, printed in colour, from multiple stones

Artist: UNKNOWN, | Title: The Ministers and their cronies off to Botany Bay and the Dorchester men returning | Date: 1834 | Technique: woodcut, printed in black ink, from one block

Artist: GRIFFITH, Pamela | Title: The Mint, 1982 | Date: 1982 | Technique: hardground-etching, aquatint, and burnishing, printed in black ink, from one on one zinc plate | Copyright: © Pamela Griffith

Artist: MADDOCK, Bea | Title: The miracle | Date: 1964 | Technique: monotype, printed in oil paint, from one glass plate

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