Browse: T

WORKS 2201 – 2220 of 7780 IMAGES ONLY
Artist: Shearer, Mitzi. | Title: The faun's afternoon out | Date: 1978 | Technique: etching, printed in green ink with plate-tone, from one plate, hand-coloured in felt-tipped pen

Mitzi Shearer (1909–1995)

The faun's afternoon out

(1978)

etching

Artist: Shearer, Mitzi. | Title: The faun's afternoon out | Date: 1978 | Technique: etching, printed in green ink with plate-tone, from one plate, hand-coloured with felt-tipped pen

Mitzi Shearer (1909–1995)

The faun's afternoon out

(1978)

etching

Roland Robinson (1912–1992)

The feathered serpent.

(1956)

screenprint

Artist: Robinson, Roland. | Title: The feathered serpent | Date: 1956 | Technique: screenprint, printed in colour, from multiple stencils

Roland Robinson (1912–1992)

The feathered serpent

(1956)

screenprint

Artist: Wood., C. Dudley. | Title: The Federal Hotel, Melbourne | Date: c.1950 | Technique: screenprint, printed in colour, from multiple stencils

C. Dudley Wood. (1905–1980)

The Federal Hotel, Melbourne | 547 Collins Street

(c.1950)

screenprint

Artist: Prout, John Skinner | Title: The female factory from Proctor's Quarry | Date: 1844 | Technique: lithograph, printed in colour inks, from two stones (black image, light buff tint)

John Skinner Prout (1805–1876)

The female factory from Proctor's Quarry

(1844)

lithograph

The female factory from Proctors Quarry

(1844)

lithograph

A.H. Fullwood (1863–1930)

The Ferry.

Julian Ashton (1851–1942)

The ferry.

(1893)

Norman Lindsay (1879–1969)

The festival.

(1923)

etching

Artist: Sharp, Martin. | Title: The Festival of Sydney 1981 | Date: 1980 | Technique: screenprint, printed in colour, from five stencils

Martin Sharp (1942–2013)

The Festival of Sydney 1981

(1980)

screenprint

Martin Sharp (1942–2013)

The Festival of Sydney 1982.

(1981)

screenprint

Hideo Horii (1934–)

The Fictitious Room No.

Hideo Horii (1934–)

The Fictitious Room No. 3.

Artist: Hopkins, Livingston. | Title: The fiddle doctor | Date: 1888 | Technique: etching, printed in brown ink, from one plate

Livingston Hopkins (1846–1927)

The fiddle doctor

(1888)

etching

Juan Davila (1946–)

The field.

(1988)

screenprint

Danny Mcdonald (1949–)

The field.

(1993)

screenprint

Artist: UNKNOWN | Title: The field, National Gallery of Victoria | Date: 1968 | Technique: screenprint, printed in colour, from multiple stencils

UNKNOWN

The field, National Gallery of Victoria

(1968)

screenprint

Artist: French, Len. | Title: (The fifth day). | Date: (1955) | Technique: lithograph, printed in black ink, from one plate | Copyright: © Leonard French. Licensed by VISCOPY, Australia

Len French (1928–2017)

(The fifth day).

((1955))

lithograph

David Barker (1888–1946)

The fig tree.