Browse: T

WORKS 2501 – 2520 of 7748 IMAGES ONLY
Artist: SHIRLOW, John | Title: The Gothic Spire in Collins Street. An evening effect. | Date: 1915 | Technique: etching, printed in warm black ink with plate-tone, from one copper plate

John Shirlow (1869–1936)

The Gothic Spire in Collins Street. An evening effect.

(1915)

etching

John Shirlow (1869–1936)

The Gothic Spire, Scots Church.

Artist: ARNOLD, Raymond | Title: The gothic, perversity and its pleasure, Chameleon Gallery, Hobart. | Date: 1987 | Technique: screenprint, printed in colour, from four stencils

Raymond Arnold (1950–)

The gothic, perversity and its pleasure, Chameleon Gallery, Hobart.

(1987)

screenprint

Kenneth Jack (1924–2006)

The Goulburn River

(1960)

lithograph

Artist: Speirs, Andrew. | Title: The Government is growing, Sunshine State | Date: (1978-81?) | Technique: offset-lithograph, printed in colour, from multiple plates

Andrew Speirs (1957–)

The Government is growing, Sunshine State

((1978-81?))

offset-lithograph

Title: The government offices, Melbourne. | Date: 1845 | Technique: lithograph, printed in black ink, from one stone

The government offices, Melbourne.

(1845)

lithograph

Artist: NICHOLAS, William | Title: The Governor (Sir Charles Augustus Fitzroy). | Date: 1847 | Technique: pen-lithograph, printed in black ink, from one zinc plate

William Nicholas (1807–1854)

The Governor (Sir Charles Augustus Fitzroy).

(1847)

pen-lithograph

Artist: GRIFFITH, Pamela | Title: The Governor's Stables | Date: 1982 | Technique: hardground-etching, aquatint and burnishing, printed in black ink, from one zinc plate | Copyright: © Pamela Griffith

Pamela Griffith (1943–)

The Governor's Stables

(1982)

hardground-etching

Frank E. Johnstone (1903–)

The Grace Tower, Sydney.

Artist: Northfield, James. | Title: The Grampians | Date: (1930-39) | Technique: lithograph, printed in colour, from multiple stones [or plates] | Copyright: © James Northfield Heritage Art Trust

James Northfield (1887–1973)

The Grampians

((1930-39))

lithograph

Allan Glover (1900–1984)

The Grampians at Dunkeld.

The Granada portraits

(1979, June-1980, February)

lithographs

Title: The Granada portraits [colophon] | Date: June 1979- February 1980 | Technique: lithograph, printed in brown ink, from one aluminium plate

The Granada portraits [colophon]

(June 1979- February 1980)

lithograph

John Goodchild (1898–1980)

The Grand Canal, Venice.

Thomas Friedensen (1879–1931)

The Grand Canal, Venice.

Will Ashton (1881–1963)

The Grand Canal, Venice.

(1923)

etching

Artist: Mason, Walter George. | Title: The grand match for the championship of the Australian colonies and two thousand pounds. | Date: 1857 | Technique: wood engraving, printed in colour, from two blocks (black image and tint block)

Walter George Mason (1820–1866)

The grand match for the championship of the Australian colonies and two thousand pounds. | Won by Mr. G.T. Rowe's chesnut [sic] gelding 'Veno' (Higgerson) bred in New South Wales, beating Mr A. Chirnside's grey mare ' Alice Hawthorn' (Mahon), bred in Victoria; three miles, over the Melbourne race-course...on the 3rd October 1857.

(1857)

wood engraving

Artist: Sparke, Franki. | Title: The grand parade | Date: 1985 | Technique: linocut, printed in colour, from multiple blocks

Franki Sparke (1953–)

The grand parade

(1985)

linocut

UNKNOWN,

The grapes that were, the grapes that are

(1990)

etching and aquatint

Artist: Stewart, Jeff. | Title: The Graphic Edge. Eight artists... Art Space. | Date: 1987 | Technique: screenprint, printed in black ink, from one stencil

Jeff Stewart (1950–)

The Graphic Edge. Eight artists... Art Space.

(1987)

screenprint