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WORKS 4101 – 4120 of 7827 IMAGES ONLY
Artist: AMOR, Rick | Title: The pillar. | Date: 1991 | Technique: etching, printed in colour, from two plates

Rick Amor (1948–)

The pillar.

(1991)

etching

Anders Zorn (1860–1920)

The Pilot.

Artist: Gruner, Elioth. | Title: The pines. | Date: 1919 | Technique: drypoint, printed in brown ink with plate-tone, from one plate

Elioth Gruner (1882–1939)

The pines.

(1919)

drypoint

Elioth Gruner (1882–1939)

The Pines.

drypoint

Artist: AMOR, Rick | Title: The pines Baxter. | Date: 1984 | Technique: woodcut, printed in black ink, from one block

Rick Amor (1948–)

The pines Baxter.

(1984)

woodcut

Charles Blackman (1928–2018)

The pink Alice.

screenprint

Patricia Wilson-Adams (1944–)

The pink hill.

(1974)

engraving

Artist: Jeffcoat, Kirsten. | Title: The Pink Palace | Date: 1983 | Technique: lithograph, printed in black ink, from one stone [or plate]

Kirsten Jeffcoat (1961–)

The Pink Palace

(1983)

lithograph

Artist: Davies, L. Roy. | Title: The Pioneer. | Date: 1930 | Technique: wood-engraving, printed in black ink, from one block | Copyright: © The Estate of L. Roy Davies

L. Roy Davies (1897–1979)

The Pioneer.

(1930)

wood-engraving

William Bustard (1894–1973)

The Pioneer (Pencil Drawing).

Artist: LINDSAY, Lionel | Title: The pipe of baccy | Date: 1924 | Technique: etching, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The pipe of baccy

(1924)

etching

James Flett (1906–1986)

The Pirate.

Will Mahoney (1905–1989)

The pitch.

Sidney Nolan (1917–1992)

The pitiless wastes.

photo-lithograph

Ethel Carrick (1872–1952)

The Place, St. Medard, Paris.

(about 1932)

collotype

Yvonne Gooding (1926–)

The plain country.

(1979)

lithograph

Artist: Nixon, F.R. | Title: The plains from Glen Osmond Mine, Adelaide. | Date: 1845 | Technique: etching, printed in black ink, from one plate

F.R. Nixon (1817–1860)

The plains from Glen Osmond Mine, Adelaide.

(1845)

etching

William Charles Piguenit (1836–1914)

The Plan of Salmon Ponds and its vicinity. Hobart, 1867.

(1867)

lithographs

Artist: LINDSAY, Lionel | Title: The plant auction, Hunter Street | Technique: etching, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The plant auction, Hunter Street | The old plant auction

etching

Lionel Lindsay (1874–1961)

The plant auction, Hunter Street, (Mezzotint).