Browse: T

WORKS 5481 – 5500 of 7828 IMAGES ONLY
Artist: Traill, Jessie. | Title: The waterhole | Date: 1922 | Technique: etching, printed in brown ink with plate-tone and wiped highlights, from one plate

Jessie Traill (1881–1967)

The waterhole

(1922)

etching

Artist: LINDSAY, Lionel | Title: The waterhole, Cobar, N.S.W. | Date: 1923 | Technique: aquatint and scraper, softground etching, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The waterhole, Cobar, N.S.W.

(1923)

aquatint and scraper

Artist: Black, Dorrit. | Title: The wattle tree. | Date: c.1933 | Technique: linocut, printed in colour, from four blocks (yellow, orange, grey-green, cobalt blue)

Dorrit Black (1891–1951)

The wattle tree.

(c.1933)

linocut

Sarah Stone (1762–1844)

The wattled bee eater, female.

(29 December 1789 (imprint))

Artist: Gruner, Elioth. | Title: The wattles | Date: (1921) | Technique: drypoint, printed in black ink, from one plate

Elioth Gruner (1882–1939)

The wattles

((1921))

drypoint

Artist: Robinson, Roland. | Title: The Waugeluk sisters | Date: 1956 | Technique: screenprint, printed in colour, from multiple stencils

Roland Robinson (1912–1992)

The Waugeluk sisters

(1956)

screenprint

Lukasz Roginski (1960–)

The wave.

Fred Campbell (1851–1930)

The wave.

(1920 (exhibited))

Artist: Shead, Garry. | Title: The wave | Date: 1994-95 | Technique: etching and aquatint, printed in blue-black ink, from one plate | Copyright: © Garry Shead

Garry Shead (1942–)

The wave

(1994-95)

etching and aquatint

Artist: Shead, Garry. | Title: The wave | Date: 1994-95 | Technique: etching and aquatint, printed in blue-black ink, from one plate | Copyright: © Garry Shead

Garry Shead (1942–)

The wave

(1994-95)

etching and aquatint

Murray Griffin (1903–1992)

The wave [1].

(1934)

linocut

Murray Griffin (1903–1992)

The wave [2].

(1951)

linocut

Bruce Robertson (1872–1943)

The wave, Coogee, N.S.W.

Artist: Heyes, Ken. | Title: the way he moved; his manners, but especially his style of speaking: finally his downright idiosyncratic tastes - all this seemed so old-fashioned, as though he had drifted out of the nineteenth century into the twentieth ... | Date: 1984 | Technique: photocopy

Ken Heyes (1952–)

the way he moved; his manners, but especially his style of speaking: finally his downright idiosyncratic tastes - all this seemed so old-fashioned, as though he had drifted out of the nineteenth century into the twentieth ...

(1984)

photocopy

Title: The way Her Majesty's mails and the public protectors are served in New South Wales | Date: c.1865 | Technique: lithograph, printed in black ink, from one stone; hand-coloured

The way Her Majesty's mails and the public protectors are served in New South Wales

(c.1865)

lithograph

Artist: EWINS, Rod | Title: The Way It Was (The Residence III). | Date: 1983, March-April | Technique: photo-etching and aquatint, printed in black ink, from one plate

Rod Ewins (1940–)

The Way It Was (The Residence III).

(1983, March-April)

photo-etching and aquatint

Artist: Franklin, Annie. | Title: The way it was is gone forever. | Date: (1988) | Technique: screenprint, printed in colour, from multiple stencils

Annie Franklin (1962–)

"The way it was is gone forever".

((1988))

screenprint

Tuyet Bach Nguyen (1961–)

The way things used to be; The way things are now.

(1990)

linocut

Artist: Robertson, Toni. | Title: The way to a woman's heart is through her masochism. | Date: 1979 | Technique: screenprint, printed in colour, from four stencils | Copyright: © Toni Robertson

Toni Robertson (1953–)

The way to a woman's heart is through her masochism.

(1979)

screenprint

A.H. Fullwood (1863–1930)

The Way to the Boats, Richmond.