Browse: T

WORKS 5601 – 5620 of 7828 IMAGES ONLY
Artist: Honybun, Elizabeth. | Title: The whole story Mildura sculpture colouring book: an artists' book containing eight leaves with card cover, staple-bound. | Date: (1978) | Technique: offset-lithograph on rubber stamps

Elizabeth Honybun (1953–1984)

The whole story Mildura sculpture colouring book: an artists' book containing eight leaves with card cover, staple-bound.

((1978))

offset-lithograph on rubber stamps

Artist: Lasisi, David. | Title: The whore | Date: 1976 | Technique: screenprint, printed in brown ink, from one stencil

David Lasisi (1955–)

The whore

(1976)

screenprint

Artist: Lasisi, David. | Title: The whore | Date: not dated | Technique: screenprint, printed in purple ink, from one stencil

David Lasisi (1955–)

The whore

(not dated)

screenprint

Artist: Fisher, John | Title: The Why, What and How of Education. Sydney, John Fisher, 1978. A book containing [55] pp. | Date: 1978

John Fisher (1921–)

The Why, What and How of Education. Sydney, John Fisher, 1978. A book containing [55] pp.

(1978)

Martin Stainforth (1866–1957)

The Widower.

(1923 (exhibited))

wood-engraving

Jacqueline Hick (1919–2004)

The widows.

(1944)

etching and aquatint

Artist: Nicholas, William. | Title: The wife (Mrs Baker) | Date: 1847 | Technique: pen-lithograph, printed in black ink, from one plate

William Nicholas (1807–1854)

The wife (Mrs Baker)

(1847)

pen-lithograph

Artist: Nicholas, William. | Title: The wife (Mrs William Baker). | Date: 1847 | Technique: pen-lithograph, printed in black ink, from one zinc plate

William Nicholas (1807–1854)

The wife (Mrs William Baker).

(1847)

pen-lithograph

Artist: Charsley, Fanny Anne. | Title: The wild flowers around Melbourne. | Date: 1867 | Technique: lithographs, printed in black ink, each from one stone; hand-coloured

Fanny Anne Charsley (1828–1915)

The wild flowers around Melbourne.

(1867)

lithographs

Artist: ROSENGRAVE, Harry | Title: The wild horse | Date: (1955) | Technique: etching, printed in black ink with plate-tone, from one plate

Harry Rosengrave (1899–1986)

The wild horse

((1955))

etching

The will to power

(2010)

drypoint and lift-ground aquatint

The will to power

(2010)

drypoint and lift-ground aquatint

The will to power

(2010)

drypoint and lift-ground aquatint

The will to power

(2010)

drypoint and lift-ground aquatint

The will to power

(2010)

drypoint and lift-ground aquatint

The will to power

(2010)

drypoint and lift-ground aquatint

The will to power

(2010)

drypoint and lift-ground aquatint

The will to power

(2010)

drypoint and lift-ground aquatint

The will to power

(2010)

drypoint and lift-ground aquatint

The will to power

(2010)

drypoint and lift-ground aquatint