Browse: T

WORKS 1001 – 1020 of 7748 IMAGES ONLY
Artist: RADO, Ann | Title: The beast that doesn't exist... | Date: 1996, 14 February | Technique: lithograph (maniere noir), printed in black ink (reverse image), from one stone

Ann Rado (1935–)

The beast that doesn't exist...

(1996, 14 February)

lithograph (maniere noir)

Artist: SHEARER, Mitzi | Title: the beauty contest | Date: 1978

Mitzi Shearer (1909–1995)

the beauty contest

(1978)

The Beckoning

(1982)

hardground-etching

Artist: Faerber, Ruth. | Title: The becoming | Date: 1975 | Technique: lithograph, printed in black ink, from multiple paper plates

Ruth Faerber (1922–)

The becoming

(1975)

lithograph

Ruth Faerber (1922–)

The Becoming.

Ruth Faerber (1922–)

The Becoming and the Being

(1972)

lithograph

Artist: Spowers, Ethel. | Title: The bee. | Date: c.1925 | Technique: linocut, printed in colour in the Japanese manner, from multiple blocks

Ethel Spowers (1890–1947)

The bee.

(c.1925)

linocut

Artist: Buckley, Sue. | Title: The beehive. | Date: 1980 | Technique: woodcut, printed in colour, from multiple blocks; lithograph, printed in colour; screenprinted, printed in colour | Copyright: This work appears on screen courtesy of Sue Buckley and her sister Jean Hanrahan

Sue Buckley (1911–1986)

The beehive.

(1980)

woodcut

B.E. Minns (1864–1937)

The bees' nest.

(1924)

etching

Artist: Hawkins, Weaver. | Title: The beginning | Date: 1963 | Technique: woodcut, printed in colour, from multiple blocks | Copyright: The Estate of H.F Weaver Hawkins

Weaver Hawkins (1893–1977)

The beginning

(1963)

woodcut

Ruth Faerber (1922–)

The Beginning.

Artist: JENUARRIE | Title: The beginning II | Date: 1986 | Technique: llinocut, printed in black from one block

JENUARRIE (1944–)

The beginning II

(1986)

llinocut

Artist: Hirschfeld Mack, Ludwig. | Title: The beginning of creation: complementary contrast [recto]; (Study for 'The beginning of creation: complementary contrast) [verso} | Date: (1960-65) | Technique: transfer print; watercolour addition (recto)

Ludwig Hirschfeld Mack (1893–1965)

The beginning of creation: complementary contrast [recto]; (Study for 'The beginning of creation: complementary contrast) [verso}

((1960-65))

transfer print; watercolour addition (recto)

Salvatore Zofrea (1946–)

The beginning of Lent

(1994-1999)

woodcut

The beginning of Lent.

(1994-1999)

woodcut

Charles Nuttall (1872–1934)

The Beguinage, Bruges.

Artist: Bonetti, Tony. | Title: The beheading of the forerunner | Date: 1997, June | Technique: linocut and woodblock, printed in colour, from four blocks

Tony Bonetti (1953–)

The beheading of the forerunner

(1997, June)

linocut and woodblock

Artist: Bonetti, Tony. | Title: The beheading of the forerunner | Date: 1996 | Technique: linocut, printed in black ink, from one block

Tony Bonetti (1953–)

The beheading of the forerunner

(1996)

linocut

Artist: LONG, Sydney | Title: The belfry, Bruges | Date: c.1919 | Technique: line-etching and drypoint, printed in sepia ink with plate-tone, from one aluminium plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The belfry, Bruges

(c.1919)

line-etching and drypoint

A.H. Fullwood (1863–1930)

The Belgian Set.