Browse: T

WORKS 1021 – 1040 of 7803 IMAGES ONLY
Artist: Hawkins, Weaver. | Title: The beginning | Date: 1963 | Technique: woodcut, printed in colour, from multiple blocks | Copyright: The Estate of H.F Weaver Hawkins

Weaver Hawkins (1893–1977)

The beginning

(1963)

woodcut

Artist: JENUARRIE | Title: The beginning II | Date: 1986 | Technique: llinocut, printed in black from one block

JENUARRIE (1944–)

The beginning II

(1986)

llinocut

Artist: Hirschfeld Mack, Ludwig. | Title: The beginning of creation: complementary contrast [recto]; (Study for 'The beginning of creation: complementary contrast) [verso} | Date: (1960-65) | Technique: transfer print; watercolour addition (recto)

Ludwig Hirschfeld Mack (1893–1965)

The beginning of creation: complementary contrast [recto]; (Study for 'The beginning of creation: complementary contrast) [verso}

((1960-65))

transfer print; watercolour addition (recto)

Salvatore Zofrea (1946–)

The beginning of Lent

(1994-1999)

woodcut

The beginning of Lent.

(1994-1999)

woodcut

Charles Nuttall (1872–1934)

The Beguinage, Bruges.

Artist: Bonetti, Tony. | Title: The beheading of the forerunner | Date: 1997, June | Technique: linocut and woodblock, printed in colour, from four blocks

Tony Bonetti (1953–)

The beheading of the forerunner

(1997, June)

linocut and woodblock

Artist: Bonetti, Tony. | Title: The beheading of the forerunner | Date: 1996 | Technique: linocut, printed in black ink, from one block

Tony Bonetti (1953–)

The beheading of the forerunner

(1996)

linocut

Artist: Long, Sydney. | Title: The belfry, Bruges | Date: c.1919 | Technique: line-etching and drypoint, printed in sepia ink with plate-tone, from one aluminium plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The belfry, Bruges

(c.1919)

line-etching and drypoint

A.H. Fullwood (1863–1930)

The Belgian Set.

Thomas Friedensen (1879–1931)

The Belgian windmill.

A.H. Fullwood (1863–1930)

The Bell Inn at Stilton. | The Bell, Stilton.

A.S. Hartrick (1864–1950)

The Bellringers.

Artist: EARTHWORKS POSTER COLLECTIVE | Title: The belly of Capitalism is never full | Date: 1978 | Technique: screenprint, printed in colour, from four stencils | Copyright: © Raymond John Young

EARTHWORKS POSTER COLLECTIVE (1972–1979)

The belly of Capitalism is never full

(1978)

screenprint

Artist: HANRAHAN, Barbara | Title: The beloved | Date: 1974 | Technique: etching, printed in black ink with plate-tone, from one plate

Barbara Hanrahan (1939–1991)

The beloved

(1974)

etching

Artist: HANRAHAN, Barbara | Title: The beloved | Date: 1961 | Technique: drypoint, printed in black ink with plate-tone, from one plate

Barbara Hanrahan (1939–1991)

The beloved

(1961)

drypoint

The benches in the park.

etching

John Barclay Godson (1882–1957)

The Bend of the Road.

etching

John Barclay Godson (1882–1957)

The Bend of the Road.

etching

John Barclay Godson (1882–1957)

The Bend of the Road original sketch.

etching