Browse: T

WORKS 1401 – 1420 of 7803 IMAGES ONLY

James Crisp (1879–1962)

The canoer.

Len French (1928–2017)

The canon.

(1970)

screenprint

Artist: LINDSAY, Lionel | Title: The Canon's niece, Spain | Date: 1919 | Technique: drypoint, printed in warm black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The Canon's niece, Spain

(1919)

drypoint

Frank Medworth (1892–1947)

The cape - Bullfighting no 2.

(1926)

engraving

Artist: Doggett-Williams, Phillip. | Title: The capital. | Date: 1987 | Technique: lithograph, printed in brown ink, from one stone [or plate]

Phillip Doggett-Williams (1953–)

The capital.

(1987)

lithograph

Artist: Gittoes, George. | Title: The capsule. | Date: 1971 | Technique: etching, printed in black ink, from one plate

George Gittoes (1949–)

The capsule.

(1971)

etching

Artist: Shaw, Rod. | Title: The Captain of Kopenick [by] Carl Zuckmayer adapted by John Mortimer, New Theatre, Newtown | Date: 1977 | Technique: screenprint, printed in colour, from multiple stencils

Rod Shaw (1915–1992)

The Captain of Kopenick [by] Carl Zuckmayer adapted by John Mortimer, New Theatre, Newtown

(1977)

screenprint

William Lushington Goodwin (1798–1862)

The Captain on full pay.

(9 December 1837 (published))

William Lushington Goodwin (1798–1862)

The Captain on half pay.

(30 December 1837 (published))

Artist: Kriegel, Adam. | Title: The captive | Date: 1950s | Technique: linocut, printed in black ink, from one block

Adam Kriegel (1912–1995)

The captive

(1950s)

linocut

Artist: Bainbridge, John. | Title: The Captive heart. An Ealing studios film. | Date: c.1950 | Technique: lithograph, printed in colour, from multiple stones [or plates]

John Bainbridge (1918–1978)

The Captive heart. An Ealing studios film.

(c.1950)

lithograph

Artist: Gittoes, George. | Title: The captured gun | Date: 1988 | Technique: etching and aquatint, printed in black ink, from one plate

George Gittoes (1949–)

The captured gun

(1988)

etching and aquatint

W. John Hosking (1930–)

The caravan.

Artist: Thorpe, Hall. | Title: The caravan | Date: c.1925 | Technique: woodcut, printed in colour, from multiple blocks

Hall Thorpe (1874–1947)

The caravan

(c.1925)

woodcut

Charles Conder (1868–1909)

The Carnival Set of Eight Original Lithographs. One of 50 signed sets, printed in red. Scarce. 8½ in. x 2½ in. sic . The Set.

Charles Conder (1868–1909)

The Carnival Set of Eight Original Lithographs. One of 50 signed sets, printed in red. Scarce. 8½ in. x 2½ in. sic . The Set.

Artist: Kenyon, Therese. | Title: The Carpentaria and State Dockyard from Stevenson Place | Date: 1985 | Technique: screenprint, printed in colour, from multiple stencils

Therese Kenyon (1948–)

The Carpentaria and State Dockyard from Stevenson Place

(1985)

screenprint

Artist: LINDSAY, Lionel | Title: The carpenter | Date: 1914 | Technique: etching, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The carpenter

(1914)

etching

John Goodchild (1898–1980)

The Carpenter's Shop.

Artist: LINDSAY, Lionel | Title: The carpenter's shop, Toledo | Date: 1926 | Technique: etching, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The carpenter's shop, Toledo

(1926)

etching