Browse: T

WORKS 1901 – 1920 of 7748 IMAGES ONLY
Artist: Warner, Alfred Edward. | Title: The District Court | Date: 1923 | Technique: etching, printed in black ink with plate-tone, from one plate

Alfred Edward Warner (1879–1968)

The District Court

(1923)

etching

Lewis Baumer (1870–1963)

The Divan.

Judy Horacek (1961–)

The diver

(1998)

etching and aquatint

Brett Whiteley (1939–1992)

The divided unity.

(1974)

Screenprint

Artist: Haxton, Elaine | Title: The divine archer | Date: c.1967 | Technique: open-bite etching and aquatint, printed in black ink, from one plate

Elaine Haxton (1909–1999)

The divine archer

(c.1967)

open-bite etching and aquatint

Artist: Haxton, Elaine | Title: The divine archer | Date: 1967 | Technique: open-bite etching and aquatint, printed in colour

Elaine Haxton (1909–1999)

The divine archer

(1967)

open-bite etching and aquatint

Artist: McDonald, Linsay. | Title: The DMC Australian dj mixing competition | Date: 1990 | Technique: screenprint, printed in black ink, from one stencil

Linsay Mcdonald

The DMC Australian dj mixing competition

(1990)

screenprint

Albany E. Howarth (1872–1936)

The Dochart, Perthshire.

etching

Artist: Armstrong, Bruce. | Title: The doctor. | Date: 1988 | Technique: softground etching, printed in black ink, from one plate

Bruce Armstrong (1957–)

The doctor.

(1988)

softground etching

Gayfield Shaw (1885–1961)

The doctor's garden.

Artist: LINDSAY, Lionel | Title: The Doctor's house, Windsor, NSW | Date: 1919 | Technique: etching and aquatint, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The Doctor's house, Windsor, NSW

(1919)

etching and aquatint

Artist: AMOR, Rick | Title: The dog. | Date: 1989 | Technique: monotype, printed in black ink, from one plate

Rick Amor (1948–)

The dog.

(1989)

monotype

Artist: AMOR, Rick | Title: The dog | Date: 1999, February | Technique: etching, printed in black ink, from one plate | Copyright: Image reproduced courtesy the artist and Niagara Galleries, Melbourne

Rick Amor (1948–)

The dog

(1999, February)

etching

Artist: Taylor, John H. | Title: The dog | Date: 1952 | Technique: linocut, printed in black ink, from one block

John H. Taylor (1921–)

The dog

(1952)

linocut

Artist: McBurnie, Ron. | Title: The dog as a philosopher | Date: 1987 | Technique: softground-etching, printed in black ink, from one zinc plate | Copyright: © Ron McBurnie

Ron Mcburnie (1957–)

The dog as a philosopher

(1987)

softground-etching

Artist: HANRAHAN, Barbara | Title: The dog will come when he is called | Date: 1962 | Technique: linocut, printed in colour, from four blocks

Barbara Hanrahan (1939–1991)

The dog will come when he is called

(1962)

linocut

Artist: HANRAHAN, Barbara | Title: The dog will come when he is called | Date: 1962 | Technique: linocut, printed in black ink, from two blocks

Barbara Hanrahan (1939–1991)

The dog will come when he is called

(1962)

linocut

Artist: HANRAHAN, Barbara | Title: The dog, the cat | Date: 1962 | Technique: linocut, printed in black ink, from two blocks, hand-coloured

Barbara Hanrahan (1939–1991)

The dog, the cat

(1962)

linocut

Artist: EWINS, Rod | Title: The Doll (The Residence V). | Date: 1983, December | Technique: photo-etching and aquatint, printed in black ink, from one plate

Rod Ewins (1940–)

The Doll (The Residence V).

(1983, December)

photo-etching and aquatint

D.G. Reid (1862–1933)

The Doll's House.

etching