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WORKS 1021 – 1040 of 2280 IMAGES ONLY
Artist: REDBACK GRAPHIX | Title: When they close a pit. | Date: 1984 | Technique: screenprint, printed in colour, from five stencils

REDBACK GRAPHIX (1980–1994)

When they close a pit. | KCC Womens auxillary

(1984)

screenprint

Artist: Atkins, Ros. | Title: When will you dawn to end my night? | Date: 1996, August | Technique: lithograph, printed in colour, from four stones | Copyright: © Mandy Martin. Licensed by VISCOPY, Australia

Ros Atkins (1957–)

When will you dawn to end my night?

(1996, August)

lithograph

Artist: Martin, Mandy. | Title: When workers unite bosses tremble | Date: (1970s) | Technique: screenprint, printed in colour, from two stencils | Copyright: © Mandy Martin. Licensed by VISCOPY, Australia

Mandy Martin (1952–2021)

When workers unite bosses tremble

((1970s))

screenprint

Artist: Fairskye, Merilyn. | Title: Where are we going? A womens liberation conference June 9,10 1979. | Date: 1979 | Technique: screenprint, printed in colour, from four stencils | Copyright: © Merilyn Fairskye

Merilyn Fairskye (1950–)

Where are we going? A womens liberation conference June 9,10 1979.

(1979)

screenprint

Pamela Griffith (1943–)

Where Cook River once flowed on Botany Bay

(1980)

etching and aquatint

Where corals lie

(1974)

screenprint

Margaret Wilson (1939–)

Where corals lie (Arches 88).

Artist: Harbeck, Ron. | Title: Where crimson parrots call. | Date: 1989 | Technique: screenprint, printed in colour, from six stencils

Ron Harbeck (1989–)

Where crimson parrots call.

(1989)

screenprint

Artist: Moore, Mary. | Title: Where it isn't you are | Date: 1979 | Technique: lithograph, printed in cream colour, from nine stones; with hole torn in the paper | Copyright: © Mary Moore

Mary Moore (1957–)

Where it isn't you are

(1979)

lithograph

G.T.M. Roach (1895–1972)

Where it's quiet.

Artist: EWINS, Rod | Title: Where the bee sucks. | Date: 1964 | Technique: line-engraving, printed in black ink, from one copper plate

Rod Ewins (1940–)

Where the bee sucks.

(1964)

line-engraving

Where the duties are unusually arduous

(1854)

pen-lithograph

Sheila Mcdonald (1902–1971)

Where the River Bends.

Malcolm Helsby (1888–)

Where the Strand and Fleet St Meet.

Artist: COLEING, Tony | Title: Where to now, Superman?. | Date: 1983 | Technique: linocut, printed in black ink, from one block

Tony Coleing (1942–)

Where to now, Superman?.

(1983)

linocut

Artist: COLEING, Tony | Title: Where to now, Superman?. | Date: 1983 | Technique: linocut, printed in black ink, from one block

Tony Coleing (1942–)

Where to now, Superman?.

(1983)

linocut

Tony Coleing (1942–)

Where to now, Superman?.

(1983)

engraved lino block

Artist: STANNARD, Christopher | Title: Where Will The Children Play? New Farm needs ... Not Rent Rises Not High Risers | Date: 1989 | Technique: screenprint, printed in colour, from multiple screens

Christopher Stannard

Where Will The Children Play? New Farm needs ... Not Rent Rises Not High Risers

(1989)

screenprint

Artist: Hamilton, Rod. | Title: Where's the Bacon?. | Date: 1991 | Technique: etching and aquatint, printed in black ink, from one plate; hand-coloured

Rod Hamilton (1945–)

"Where's the Bacon?".

(1991)

etching and aquatint

Praxis Poster Workshop. (1982–)

Which cap for you?

screenprint