Browse: W

WORKS 1101 – 1120 of 2288 IMAGES ONLY
Artist: LINDSAY, Lionel | Title: White gums | Date: 1937 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

White gums

(1937)

drypoint

Artist: LINDSAY, Lionel | Title: White gums | Date: 1923 | Technique: softground-etching, aquatint and roulette, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

White gums

(1923)

softground-etching

Artist: Bradhurst, Jane. | Title: White gums and bungle bungles, Kimberley WA. | Date: 1997 | Technique: lithograph, printed in colour, from multiple stones; hand-coloured

Jane Bradhurst (1926–2016)

White gums and bungle bungles, Kimberley WA.

(1997)

lithograph

George Whinnen (1891–1950)

White gums, Woodside.

Artist: HANRAHAN, Barbara | Title: White heliotrope | Date: 1975 | Technique: etching, printed in colour, from three plates

Barbara Hanrahan (1939–1991)

White heliotrope

(1975)

etching

G.W.L. Hirst (1868–1965)

White Horse Point.

William Hunter (1899–1963)

White horses.

Artist: ROSENGRAVE, Harry | Title: White horses | Date: 1954 | Technique: lithograph, printed in black ink, from one plate

Harry Rosengrave (1899–1986)

White horses

(1954)

lithograph

Artist: Hunter, William. | Title: White House (little Bourke). (An alley at night) | Date: 1940s | Technique: etching, printed in colour, from two plates in red and black ink

William Hunter (1899–1963)

White House (little Bourke). (An alley at night)

(1940s)

etching

Bruce Robertson (1872–1943)

White House, Pittenween, Fife.

William Hunter (1899–1963)

White house. (Little Bourke Street).

Artist: BOYD, Arthur | Title: White joined figures (Elektra backdrop). | Date: 1962-63 | Technique: etching and aquatint, printed in black ink, from one plate | Copyright: Reproduced with permission of Bundanon Trust

Arthur Boyd (1920–1999)

White joined figures (Elektra backdrop).

(1962-63)

etching and aquatint

Artist: SUTINER, Asko | Title: White Kompany | Date: 1973 | Technique: screenprint, printed in colour, from multiple stencils

Asko Sutiner (by 1970s)

White Kompany

(1973)

screenprint

Artist: SUTINER, Asko | Title: White Kompany | Date: 1973 | Technique: screenprint, printed in colour, from multiple stencils

Asko Sutiner (by 1970s)

White Kompany

(1973)

screenprint

Artist: Kuo, Graham. | Title: White light | Date: 1974 | Technique: screenprint, printed in colour, from multiple stencils

Graham Kuo (1948–)

White light

(1974)

screenprint

Artist: Kuo, Graham. | Title: White light crimson | Date: 1974 | Technique: screenprint, printed in colour, from multiple stencils

Graham Kuo (1948–)

White light crimson

(1974)

screenprint

Artist: Kuo, Graham. | Title: White light green | Date: 1974 | Technique: screenprint, printed in colour, from multiple stencils

Graham Kuo (1948–)

White light green

(1974)

screenprint

Artist: Kuo, Graham. | Title: White light vermilion | Date: 1974 | Technique: screenprint, printed in colour, from multiple stencils

Graham Kuo (1948–)

White light vermilion

(1974)

screenprint

Artist: WORSTEAD, Paul | Title: White light/White heat - The velvet underground. | Date: 1978 | Technique: screenprint, printed in black ink, from one stencil | Copyright: This work appears on screen courtesy of the artist

Paul Worstead (1950–)

White light/White heat - The velvet underground.

(1978)

screenprint

Artist: Watson, Judy. | Title: white line | Date: 1989 | Technique: lithograph, printed in black ink, from one stone

Judy Watson (1959–)

white line

(1989)

lithograph